The offer. The creative. The funnel they land on. The emails that bring them back. The tracking that tells you the truth. I build all of it, then I run it. No strategy deck, no handover, no six freelancers blaming each other.
Charles Boustany · Founder
Who you'd actually be working with
I built an ecommerce brand to seven figures across 20+ countries and sold it. Then I co-founded a growth agency, scaled it to 15 people and six-figure monthly recurring revenue in under 18 months, worked across 500+ brands, and sold my stake in 2025. In between I led a 25-person marketing team across a multi-brand retail group spending over $1M a month, where the job was as much restructuring and hiring as it was media.
What I learned from all of it is that I liked the work far more than owning the business. Payroll and sales calls ate the week. The part I actually enjoyed was being inside accounts, rebuilding offers and watching a number move. So this is me, on your account, doing the work myself. Not a team you get introduced to once and then never speak to again.
And I still run my own Shopify brand today, which means everything on this page gets tested with my own money before it goes anywhere near yours.
150+ ecommerce brands, across
The traffic tax
Why are you paying £60 to acquire a customer for a £40 product? Because most of what you spend never had a chance. Here is where the money on a standard product page actually goes, before anyone gets near a checkout.
You paid full price for high-intent traffic and lost them on arrival, because your product page drops them into a catalogue instead of explaining why you are worth it.
They did not understand the product the first time, so now you chase them for fourteen days and usually end up discounting just to close a sale you had already paid for.
The small group who worked out on their own that your product was good, in spite of the page rather than because of it. That fifth of your budget is carrying the other four.
Same click, different destination
A product page is a shop. A typical landing page is a shout. A decision funnel is an argument. Only one of them is built for a stranger who has never heard of you.
Run your own numbers
Put your real figures in. At the same ad spend, a lower cost per purchase buys more orders. Nothing else has to change.
Nothing about your spend changes. You just stop losing the clicks you already paid for.
Let's go get thatThe self-diagnosis
I do not care about your company size. Whether you are doing $1k a month or $1M a month, what matters is the nature of your product. Works for performance brands and taste brands alike, so supplements and skincare sit here next to fashion, jewellery and décor. Tick anything that sounds like you.
Tick the ones that sound like you. Even one means a standard product page is quietly costing you money every day.
The architecture
The format changes depending on the audience. The underlying argument does not. This is the sequence that makes someone change their mind.
Show the buyer exactly what they are settling for right now. The hidden flaws in the thing they already own, the ones they have quietly accepted. No dissatisfaction, no sale.
If you sell on performance, prove it works: a claim grounded well enough that a sceptic cannot wave it away. If you sell on taste, prove it is theirs: who it is for, how it looks on a real person or in a real room, and what it replaces. Same job, different evidence.
Answer the objection at the moment it forms, not in a returns policy nobody opens. Shipping, sizing, guarantees, and the quiet one: will this actually work for someone like me.
One offer, stated plainly, with the number spelled out. The same call to action at every point where a decision could be made. No navigation, no related products, no exit you did not choose.
The obvious objection
Fashion, décor, jewellery, lifestyle. Nobody buys a dress because it outperforms another dress, and no lamp has a mechanism. If that is you, the argument above still holds, it just changes what counts as evidence. Brands win in one of two ways, and both of them break on a standard product page.
You win by proving mechanism. Ingredients, construction, dosage, how it holds up after thirty washes. Supplements, skincare, tech, functional apparel.
On a product page it fails because the page states a claim it never earns. The buyer has heard the same claim from four other brands this week.
You win by proving context. Who it is for, how it looks on a real body or in a real room rather than on white, what it replaces, and why it will not look cheap in six months. Fashion, décor, jewellery, lifestyle.
On a product page it fails because the page shows the object in isolation and asks the buyer to imagine the rest. Most of them will not bother.
So what do I actually build
This is the part most agencies skip, because "make it look nicer" is not a strategy and a prettier grid is not a funnel. Here is what actually goes on the page instead.
Every taste brand has a "for whom", and that is your mechanism. Naming it out loud makes the right person feel recognised and lets the wrong one leave, which is a feature. A page that tries to be for everyone is chosen by nobody.
One product on a white background gives a buyer nothing to picture. A look, a capsule, a room. It answers "what do I actually do with this", and it lifts AOV by construction rather than by discounting.
That is the real fear, and taste brands do have a mechanism for it. Fabric weight and GSM, seam and construction detail, materials, finish, close-up texture. Most brands bury all of it in a spec tab nobody opens.
The gap between studio photography and what lands on the doorstep is where returns are made. Several body types with heights and sizes worn. For homeware, shot in a room with something human-sized for scale, because "wrong size for the space" is the number one décor return.
Not in a policy page. At the size selector. Fit described against a brand they already own, the returns promise stated inline, and sizing confidence built from review language rather than a generic chart. This is usually the single biggest lever on an apparel page.
Fashion has honest urgency built in: drops, limited runs, seasonal cuts, sizes genuinely selling through. Most brands throw that away and bolt on a countdown timer nobody believes. And since nothing gets replenished, the post-purchase flow introduces the adjacent piece rather than nudging a repeat.
Apparel and homeware are the categories where you can lift conversion and lose money doing it, because the extra orders come back. I optimise on returns-adjusted contribution margin per order rather than raw conversion rate, which usually changes what gets fixed first. If your returns are concentrated in specific sizes it is a fit-communication problem. Spread evenly, it is an expectation problem in the imagery.
I run an apparel brand of my own, so this is a category I sell in rather than only advise on. The argument that moved my own numbers was half fabric and half who it was cut for.
Which one is right for you
The format is a decision before it is a design, and the right one depends entirely on your brand, your category and how cold your traffic is. An advertorial can beat a straight offer page by double, or lose to it by the same amount, for the same product.
I look at what you sell, who is clicking and what they already believe, then tell you which two to build first. You never have to pick from a menu.
Reads like an article, not an ad. The product appears a third of the way down, once the problem feels real. Best for cold traffic that ignores anything that looks like selling.
"Seven things nobody tells you about X." Cheap to produce, easy to test angles inside, and it earns the scroll before it asks for anything.
Leads on why this works when the three things they already tried did not. Essential in a sceptical category where every competitor claims the same result.
Why this exists at all. Converts unusually well for newer brands and anywhere the real objection is trust rather than price.
A direct comparison against the obvious alternative, including the things you lose on. Honesty about one weakness buys credibility on everything else.
The product introduced through other people's words, built around real customer language. Powerful for high-consideration buys and anything slightly awkward to purchase.
Bundle, saving and guarantee in the first screen. For retargeting and warm traffic, where the persuasion is finished and the only thing left is the deal.
"Is this right for me." Splits your traffic so each person gets one conversation instead of five, and hands you first-party data your ads can use afterwards.
Why this is possible now
Which is the real reason most brands only ever built one page and left it there. The build was never the hard part. It was everything you had to buy and hire to get one live.
A developer on retainer. A separate page builder at $200 a month. A designer who needed a brief. Two weeks of back and forth, a page that lived on a different domain, and attribution that quietly broke because your events fired in one place and the purchase happened in another.
Then, because it cost so much to make one, nobody ever built a second to test against it.
The proof is in the CPA
My own bamboo apparel brand, sending Meta traffic straight to the product page. So I built a decision funnel: named the default (cheap cotton that loses shape), proved the superiority (bamboo), and handled the objections before asking for the sale. Same ads. Same creative. Same audiences.
Cost per purchase fell from £71.81 to £16.87. Those are account totals, not a cherry-picked campaign.
And look at the volume, because that is the part people miss. 8 purchases in 31 days became 30 purchases in 20 days. Roughly six times the daily order rate, at the same spend, from the same ads.
That is the difference between an account you cannot scale and one you can.
The whole machine
Six calendars, six invoices, six opinions. And when the numbers go flat, every one of them points at the other five.
Which means when something is not working, there is nobody to point at but me. That is the whole pitch.
What I actually do
First, always. Most conversion problems are a good product sold on the wrong terms. Bundles, guarantees, pricing, what is actually on the table.
Concepts, scripts, copy, and the ads themselves. Written for the awareness level your customer is actually at, not the one you wish they were at.
Designed and built, not specced out for somebody else. The funnel that took my own CPA down 76% is one I wrote, designed and shipped myself, inside Shopify.
Klaviyo end to end. Flows, segmentation, campaign calendar, deliverability. The cheapest revenue in your account and usually the most neglected.
Meta and TikTok, consolidated and fed with creative volume instead of sliced into a hundred audiences. Judged on marginal CPA, never the blended average.
CAPI and pixel deduplicated, event match quality watched, and one scorecard on MER, new customer CPA and contribution margin so nobody argues about numbers again.
Email and retention
Almost every brand I open up is spending hard on acquisition and running a welcome flow somebody built two years ago. Retention is where the margin lives, and it is usually the fastest thing to fix, because you already paid for that traffic once.
Get a free Klaviyo auditQuestions
Almost always it starts small: one decision funnel build, or a paid audit of the account. That way you see the work before you commit to anything.
If it goes well it usually becomes something monthly covering ads, funnel and email together, because those three fail as a set and fixing one while the other two stay broken rarely moves the number. No twelve month lock-ins.
Less right now than it will later, and I would rather just be straight about why.
I sold my agency last year and I am rebuilding a portfolio of my own work. So I have real availability, I am doing every part of it myself rather than handing you to a junior, and I am pricing to win the work rather than to protect a margin. Whoever comes in now gets the version of me with time on their account.
Tell me what you are spending and what you need, and I will give you a number the same day. It will be the lowest it is going to be.
A first version inside a week from kickoff, covering the offer, the copy, the design and the build. Then we point real traffic at it and iterate on what the data says rather than on what either of us thinks.
The slow part is almost never the build. It is agreeing what the offer actually is.
From how warm the traffic is and what the objection actually is. Cold prospecting traffic in a sceptical category usually wants an advertorial or a mechanism page. Retargeting wants an offer page. A crowded category where they are already comparing wants an us versus them.
But that is the starting hypothesis, not the answer. We build two, run them against each other, and the market settles it inside a couple of weeks.
Yes, and it is where the gap is usually widest, because most fashion and décor pages are catalogues rather than arguments.
You are not proving performance, you are proving fit and context: who it is for, how it looks on a real body or in a real room rather than on a white background, what it replaces, and why it will not look cheap in six months. Same four moves, different evidence.
I run an apparel brand of my own, so this is a category I sell in rather than only consult on. The other thing I would look at early is returns, because apparel is the one category where you can lift conversion and lose money doing it. I optimise on returns-adjusted contribution margin, not raw conversion rate.
No. Everything gets built in Shopify, on your store. Same domain, same checkout, same pixel.
That matters for more than the subscription. Sending paid traffic to a separate page-builder domain is one of the most common causes of broken attribution I see, because your events fire on one domain and the purchase happens on another. Keeping it all in Shopify avoids the problem entirely.
Often, yes. A common setup is that I own the offer, the funnel and the email while they keep buying media, and everyone benefits because their ads suddenly land somewhere that converts.
What does not work is two parties making creative decisions with no agreement on who owns the number. So we settle that in the first week, or I would rather not start.
If you are spending under roughly $1,000 a month on ads, a one-off build makes more sense than anything ongoing, and I will tell you that rather than sell you the bigger thing.
If you are pre-revenue and still working out whether people want the product, you do not need me yet. You need sales, and I will say so.
Sometimes it does not. Every test gets a kill threshold agreed before it runs, so we stop things quickly instead of arguing about whether they need another two weeks.
I would rather tell you something failed in week two than protect my own work until month three. That is the entire reason I report on MER and contribution margin instead of the platform numbers that flatter me.
Both. Concepts, scripts, copy and the ads themselves. A great funnel behind weak creative still fails, and good creative pointed at a product page is exactly what produced the £71.81 cost per purchase further up this page.
They are one system, which is the whole reason I do all of it rather than one piece of it.
Remote, covering EST and European hours, so I overlap with North America, the UK and the EU. English and French.
Let's talk
No pitch deck, no discovery sequence. Send me your store and roughly what you are spending, and I will come back with what I would actually do first and why. If it turns out you do not need me, I will say so.
Free, no obligation, and you will leave with something useful whether or not we work together.
Taking on a few brands at my lowest rates while I rebuild my portfolio.